
Jenny Rideout
Sails, Freq Flags, and Bonnets for Space Exploration
In my ongoing series Sails, Freq Flags, and Bonnets for Space Exploration, I work with found textiles—quilts beyond repair, drop cloths, vintage scraps—alongside acrylic paint and India ink, to create mixed-media assemblages that meditate on power, protection, and transformation.
This body of work began with an imagining I had of a majestic old tall ship. I saw intricate patchwork sails, maneuvering the ship elegantly and powerfully along the constantly shifting surface of the ocean. In my vision the sails were covered in colorful mends, mysterious symbols, sigils, and patterns. The resulting sails are meditations on power, creativity, and the culmination of experiences alchemized for maximum propulsion. These works are both talismans and tools: sails to catch the wind of imagination, flags to signal inner frequencies, and bonnets to shield and amplify the self on its voyage through inner space.
I draw on domestic traditions of sewing and mending passed down through generations in my family—, quilting, patching, sail repair,—and channel them into a kind of speculative folk art. The materials carry time and wear, bearing histories I can only partially access. Through stitching, painting, and layering, I offer them new roles—as sacred garments, ritual objects, or navigational gear for a future that values repair, complexity, and play.
This work imagines survival not just as endurance, but as joyfully outfitting ourselves for the unknown with the scraps we’ve inherited and reimagined.
Sails
This body of work began with an imagining I had of a majestic old tall ship. I saw intricate patchwork sails, maneuvering the ship elegantly and powerfully along the constantly shifting surface of the ocean. In my vision the sails were covered in colorful mends, mysterious symbols, sigils, and patterns. The resulting sails are meditations on power, creativity, and the culmination of experiences alchemized for maximum propulsion.
Nighttime Arrival 34" x 44"
Infinite Delight 35" x 28"
Land Ho 28" x 32"
Power Gaze 25 1/2" x 30"
Three Hearts, Nine Brains 33 1/2 x 31"
Be Calmed 35 1/2" x 29"
What a Bird Be 34 1/2" x 26"
Sentient and Curious Sneaker Waves of Benevolent Adjustment Reframe the Abyss 36" x20", 2023
Magnetic Miracle Maker 41" x 25", 2023.
Creative Destruction 19" x 23"
Longterm Partner 41" x 25"
See Like a Whale Think Like a Whale 12" x 11"
Traversing the Heaven of Care 31" x 23 1/2"
Freq Flags
“Freq Flags” (or frequency flags) are inspired by burgees, small flags flown on sea faring vessels to indicate home port. Also inspired by ancient sacred art, they are meant to be deeply grounding yet brightly expansive at the same time. They are about holding one’s home frequency even while in the midst of wild exploration.

Freq Flag No. 6, 26 1/2" x 13"
Freq Flag No. 2, 27" x 13"
Freq Flag No. 3, 25 1/2" x 13 1/2"
Freq Flag No. 4, 26 1/2" x 13"

Freq Flag No. 5, 27" x 13"
Freq Flag No. 1, 25" x 13 1/2"

Freq Flag No. 7
Freq Flag No. 8, 28" x 13", 2023
Freq Flag No. 9, 27" x 14", 2023
Freq Flag No. 10, 26" x 14", 2023

Freq Flag No. 11, 28" x 13 1/2", 2023

Freq Flag No.12, 28" x 13 1/2", 2023
Bonnets for Space Exploration
Envisioned as headwear for the crew on my “ship”, Bonnets for Space Exploration point to inner archetypes that are at once ancient and futuristic.

Scullery Mage 24" x 7" x 10"

In-Know-Sense Power, 14" x 7" x 10"

Ms. Sassy Equanimity, 24" x 10" x 7"

The Navi-guesser, 24" x 23" x 10"

Wonderful Old Bitch, 24" x 10" x 7"

Wonderful Old Bitch, 24" x 10" x 7"

"The How-come-ist", 24" x 7" x 10", 2023

"The How-come-ist", 24" x 7" x 10", 2023

The Governor 24" x 7" x 10"

The Governor 24" x 7" x 10"

about me
I come from a long line of people who draw and paint for fun. And, also, seamstresses and quilters. In a recent, somewhat arduous move to a small town, I wanted to heavily down size before moving. I was intrigued by the commonalities and history of some of the items that made the cut; my great great grandmother’s ancient treadle sewing machine, a feed sack quilt made by my great grandmother, an intricate and colorful quilt by my mom (every stitch made by hand), and my dad’s sailmaker’s seaming palm (which is a kind of heavy duty thimble used in sail repair). I noted the comfort, utility, protection, and beauty passed down for generations through the humble use of needle and thread.
This realization combined with moving to a quirky small town at the majestic meeting of river, mountains, and ocean (Astoria, Oregon USA) has provoked a dramatic change in my work, from painting to textile based work. I still paint and draw on my pieces but I find working with the texture, history, and patterns of textiles irresistible.
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